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Font Font Use

Today there I want to talk about a great resource: Fonts in use!

Fonts In Use is a blog that aims to become over time an exhaustive catalog of examples of typefaces in their application in various fields of graphic design, the construction of a logo to the packaging, advertising the magazine, from publishing for print and Web.

Born from a group of graphic designers and communication experts, which revolves around the Boston study Font Bureau Fonts In Use is the attempt to close the reality according to typographic fonts through which it is told. And if the specimen printing has become a genre within universe of design, proper use of the lettering is now more than ever at the heart of good communication. From these considerations, Fonts In Use offers a critical tool in addition, can offer support and suggestions on the uses and abuses in the field of typography.

What can I say?! Use it well, train your eye and sharpen your style! :)

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23 new fonts in the permanent collection of MoMA

When the tireless Paola Antonelli decided to acquire the "@" in the collection of MoMA, the news did not fail to go around the world. The initiative, which had indeed found the taste, knew, however, prove to be brilliant as legitimate: the fonts are purchased (often) as you would with a chair, and undoubtedly represent a strand design of ancient and noble lineage, now revamped with the advent of computer graphics.

It is hardly surprising that the operation now has a sequel, 23 font digital players recently acquired by the Department of Design and Architecture. But what are the characters chosen? They range from a classic of classics, Verdana, a misunderstood OCR_A, renowned for providing their numbers to the bar code.

The selection, made by a panel of designers and critics, has decided to recognize the elegance of the characters el'iconicità who knew disinguersi in mainstream or in the audience of connoisseurs.

The 23 sources are selected: •

OCR-A American Type Founders (1966) •
New Alphabet Wim Crouwel (1967) •
Bell Centennial Matthew Carter (1976-78) •
ITC Galliard by Matthew Carter (1978) •
FF Meta by Erik Spiekermann (1984-1991) •
Oakland Zuzana Licko (1985)
• Keedy Sans di Jeffery Keedy (1991)
• FF Beowolf di Erik van Blokland and Just van Rossum (1990)
• Template Gothic di Barry Deck (1990)
• Dead History di P. Scott Makela (1990)
• HTF Didot di Jonathan Hoefler (1991)
• FF Blur di Neville Brody (1992)
• Mason di Jonathan Barnbrook (1992)
• Mantinia di Matthew Carter (1993)
• Interstate di Tobias Frere-Jones (1993-95)
• Big Caslon di Matthew Carter (1994)
• FF DIN di Albert-Jan Pool (1995)
• Walker di Matthew Carter (1995)
• Verdana di Matthew Carter (1996)
• Mercury di Jonathan Hoefler and Tobias Frere-Jones (1996) •
Miller Matthew Carter (1997) •
Retina Jonathan Hoefler & Tobias Frere-Jones (1999) •
Gotham Jonathan Hoefler & Tobias Frere-Jones (2000)

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Tipoteca Italian

Today I want to talk about a reality very close to us but unfortunately given little respect.

Tipoteca The Italian foundation based in Cornuda in the province of Treviso, in the heart of the Veneto. Housed in the buildings of

Canapificio Veneto, Tipoteca was established to create initiatives that enhance the print shop. It will, in fact, document the meaning, origin and purpose of the work of Italian designers of Italian character, since the industrial revolution today. The

Tipoteca is primarily a privileged place for the collection of fonts, but not limited to: archive, museum, restoration workshops and printing laboratory and library are multiple realities of a single multi-purpose space. The Workshops of

Tipoteca are equipped spaces reserved for exemplifying of activities related to printing and typography in general, teaching and workshops, the restoration and maintenance of machinery.

Each workshop stands out for its intended use and each is headed by an eminent protagonist of Italian printing.

The museum is a route through multipurpose spaces: the melting shop, printing, restoration,
the composer, laboratories and classrooms.

A walk that offers scenic stretches and stretches immersed in the workplace, which turns into an encounter with the history of the character and the press.

That said, what are you waiting for?!! now go and visit this fantastic museum!

Opening hours Tuesday to Thursday: 9-13 Friday
: 9-13 / 14-18
Saturday: 14-18
closed Monday and holidays