Espinha Genital Fotos

23 new fonts in the permanent collection of MoMA

When the tireless Paola Antonelli decided to acquire the "@" in the collection of MoMA, the news did not fail to go around the world. The initiative, which had indeed found the taste, knew, however, prove to be brilliant as legitimate: the fonts are purchased (often) as you would with a chair, and undoubtedly represent a strand design of ancient and noble lineage, now revamped with the advent of computer graphics.

It is hardly surprising that the operation now has a sequel, 23 font digital players recently acquired by the Department of Design and Architecture. But what are the characters chosen? They range from a classic of classics, Verdana, a misunderstood OCR_A, renowned for providing their numbers to the bar code.

The selection, made by a panel of designers and critics, has decided to recognize the elegance of the characters el'iconicità who knew disinguersi in mainstream or in the audience of connoisseurs.

The 23 sources are selected: •

OCR-A American Type Founders (1966) •
New Alphabet Wim Crouwel (1967) •
Bell Centennial Matthew Carter (1976-78) •
ITC Galliard by Matthew Carter (1978) •
FF Meta by Erik Spiekermann (1984-1991) •
Oakland Zuzana Licko (1985)
• Keedy Sans di Jeffery Keedy (1991)
• FF Beowolf di Erik van Blokland and Just van Rossum (1990)
• Template Gothic di Barry Deck (1990)
• Dead History di P. Scott Makela (1990)
• HTF Didot di Jonathan Hoefler (1991)
• FF Blur di Neville Brody (1992)
• Mason di Jonathan Barnbrook (1992)
• Mantinia di Matthew Carter (1993)
• Interstate di Tobias Frere-Jones (1993-95)
• Big Caslon di Matthew Carter (1994)
• FF DIN di Albert-Jan Pool (1995)
• Walker di Matthew Carter (1995)
• Verdana di Matthew Carter (1996)
• Mercury di Jonathan Hoefler and Tobias Frere-Jones (1996) •
Miller Matthew Carter (1997) •
Retina Jonathan Hoefler & Tobias Frere-Jones (1999) •
Gotham Jonathan Hoefler & Tobias Frere-Jones (2000)